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Reflections on the Baseball Lockout + Why "La Boheme" Remains An Evergreen

Here we go again in baseball.  Labor-management relations at a standstill.  

Everything old is new again.  

 

"Defensive lockout," according to commissioner Rob Manfred, is necessary to make an agreement.  And war is peace.  And slavery is freedom.

 

It is a more complicated issue than billionaire owners versus millionaire players so I wish that short-hand description could be scrapped.   But it does come down to money

and plenty of it.  

 

Average salaries in baseball have been dropping in recent years and so have median salaries which is a more important figure.  Other pro sports have passed baseball in

the median quality - the midpoint between the richest and the least hightly-paid player.

 

It will be key for the players that two of their union leaders, the newly-enriched free agents Max Scherzer and Marcus Semien, keep their less financially-endowed brethren informed of developments.  They likely will but the prospects for a deal look far away right now.

 

I have a suspicion that those fans who bellow the loudest about greedy players would probably be the first people to jump in line to get the most money out of misguided owners.

Over time, they have never been able to stop themselves from putting that shiny free agent on the mantelpiece when huckstered by clever player representatives.

 

If you want more historical background on owners' inability to control themselves, check out my first book, THE IMPERFECT DIAMOND which was updated in a second and third edition.

 

In my intro, I noted the late satirist Mort Sahl's comment that Richard Nixon's memoir

"Six Crises" should have come out in a looseleaf edition so you could just add the crises.

So goes it with the baseball labor story except in 2021 total attendance is not up and it may

not return if there is any protracted shutdown.

 

I suggest that there better be some agreement before the Super Bowl - which is late this year, Feb. 13, because of the expanded 17-game NFL schedule.  Otherwise, spring training games and the regular season starting on March 31 will be impacted.

 

I was wondering why the Braves hadn't resigned Freddie Freeman, their leader and first baseman and lifelong Brave.  Then I discovered that his agent is Casey Close, a former

U of Michigan player and briefly a Yankee farmhand who became Derek Jeter's player agent and is now a big mover and shaker in the sports business firmament.  

 

It is not only Scott Boras trying to get top dollar from owners. In fact, in some ways Boras is admirable because as far as I know his Boras Corporation is not yet connected to a huge conglomerate as most agents like Casey Close are.

 

As for me, I will try to ignore the power plays, egos, and greed on both sides.  I applaud versatile Chris Taylor for re-signing just before the lockout with the Dodgers who realized they made a mistake in letting another grinder like Kike Hernandez get away last off-season to the Boston Red Sox.

 

I love grinders, players who know how to win and do the "little things" that don't appear in box scores.  In fact, as one wise person recently said, "There are no little things."

 

My cheering for the rest of the fall and winter will focus on Wisconsin Badgers men's

basketball who improved to 8-1 earlier today (Sat afternoon Dec 4) convincingly beating state rival Marquette 87-73.  Johnny Davis is an exciting player coming into his own and the rest of the team is playing good team basketball.

 

I'm also following closely, and in person when I can, my other alma mater, Columbia's women's basketball which has started 7-2 in the pre-Ivy League season. They are a versatile and speedy team and fun to watch under coach Megan Griffith who played for

non-contending Columbia teams and assisted at great Princeton winning teams.

 

Methinks she and all good coaches imbibe the great Christy Mathewson saying:

"I have learned little from winning. I have learned everything from losing."

 

Picked for 3rd in pre-season polls, the Lions will play their top rivals Princeton and Penn at home, respectively, on F Jan 7 at 7p and Sa Jan 8 at 5p.   They open league season at home Su Jan 2 at 1p against Yale.  Check out gocolumbialions.com for ticket info and other stories.  

 

In closing, I want to rave about the "La Boheme" I attended late last month at the

Metropolitan Opera.  It was my first foray to live opera since before the pandemic.

 

The orchestra and chorus under Korean woman conductor Eun Sun Kim making her NYC debut never sounded better.  The story of the irrepressible bohemians in 19th century France never fails to captivate.  

 

I wasn't familiar with any of the singers but they all performed with elan in the long-running Franco Zefferelli production. 

 

Conductor Eun Kim returns to the Met for four more "Boheme"'s on May 16, May 20,

May 24, and May 29 all at 8p.  There will be four other "Boheme"'s in January.

 

Sunday afternoon Jan 9 at 3p, a welcome innovation for opera.  Why should ballet and concerts have the audiences Sun afternoons to themselves?

 

There will be the national radio broadcast on Sa Jan 22 at 1p, and two weeknight performances at 8p, Jan 13 and Jan 18.

 

For Bohemeatologists, if I can coin a word, the 1926 silent movie "Boheme"

directed by the notable King Vidor, airs on TCM early Mon Dec 6 at 1:15a. 

 

Speaking of TCM, its Star of the Month is Ingrid Bergman, aired mainly on Weds.  

I caught her the other night in "Gaslight" 1944, directed by George Cukor, and her performance opposite convincing bad guy Charles Boyer, was so riveting that I passed up the first half of Wisconsin-Georgia Tech game.

 

"Gaslight" marked the debut of 18-year-old Angela Lansbury as a sassy maid in the

Victorian household.  The next year she had a haunting role in Albert Lewin's "Picture of

Dorian Gray" opposite Hurd Hatfield and with George Sanders. 

 

Her haunting rendition of the little yellow bird song remains constantly with me. "Dorian Gray" might be found on TCM On Demand.

 

Mentioning Lansbury makes me think of the recent death of Stephen Sondheim, 91.

More on him and his impact on so many people, including the New Yorkers who burst out in song when they learned of his death, next time. 

 

As well as reflections on the incomparable David Frishberg, 88, who mastered jazz piano and vocals and lyrics and composition. And through "Van Lingle Mungo" and "Matty" made a lasting contribution to baseball.  

 

That's all for now.  Always remember:  Take it easy but take it.  And now more than

ever, stay positive and test negative. 

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On The Intensity/Integrity of Late September Baseball (corrected version) + "Porgy and Bess" at Met Opera + Kelli O'Hara Triumphs With NY Philharmonic

I knew as an Orioles fan that this first year of full-scale rebuilding was going to be difficult.  Leave it to my Birds, though, and especially rookie utility man Stevie Wilkerson, to end the season in Boston with a vivid example of how baseball can turn ecstasy into agony with shocking suddenness.

 

Their 162nd and last game of the season against the Red Sox in Fenway was tied 4-4 with two out in the bottom of the eighth.  Stevie Wilkerson, playing right field for only the tenth time, made a sensational leaping twisting catch, robbing Jackie Bradley Jr. of a two-run home run though barely missing landing in the right field stands.  (Turnabout was fair play because Bradley had robbed Orioles MVP Trey Mancini earlier in season at Camden Yards of a game-winning HR.)

 

Yet one inning later, Wilkerson was slow returning to the infield a single by Xander Bogaerts.  Running on the pitch from first base, Mookie Betts circled the bases to end the Red Sox's disappointing season on a high note.

 

(It won't appear in any of the often indecipherable analytic charts, but it seems to me that the Red Sox season was doomed early when the team split between black and Hispanic players and manager Alex Cora who didn't go to the White House to celebrate their 2018 championship with Donald Trump, and the white players who did go.)   

 
I have a lot of respect for teams long out of the race that play hard in late September. The Bosox and Birds have a history of that kind of intense play that make "the integrity of the game" not just an empty phrase. 

 
I recall back in 1976 when both teams had been eliminated by the resurgent Yankees.  Yet on the last day in the proverbial "meaningless game," they played 15 innings at Fenway before the Bosox won 4-3.     

 
To those teams who last week played genuine spoiler in the pennant races, I tip my cap. 

**The White Sox who started the Indians on their slide out of the playoffs by two victories in Chicago.  It was a sad ending for Cleveland who had played very well until the last week despite injuries to both the pitching staff and key regulars. The Tribe continues to own the longest World Series-victory drought of any historic team - no title since 1948.

 

**The Colorado Rockies salvaged some respect in the last two games of a very disappointing season.  They beat the Milwaukee Brewers in two dramatic extra-inning victories.  They prevented the Brew Crew from forcing a tie or even winning the NL Central over the Cardinals who had swept the Cubs in Chicago knocking them out of contention (and manager Joe Maddon into the unemployment line though not likely for long.) 

 

**The Diamondbacks get an honorable mention for playing hard in beating the Cardinals two in a row in Phoenix. It started St. Louis on a four-game losing streak. The Brewers' losses and Cardinals' young ace Jack Flaherty shutout effort during the 162nd game finally clinched the NL Central for the Redbirds. 

  

Now the Brewers must face the Washington Nationals on the road in the NL Wild Card

game on Tuesday October 1.  The Brew Crew deserves great credit for playing so well in much of September without Christian Yelich, the reigning NL MVP whose kneecap was broken by a foul ball off his bat. (The injury reminded me of the broken leg suffered by Oakland A's outfielder Jermaine Dye in the 2001 playoff against the Yankees that sadly shortened his career.)

 
I don't bet and I rarely make predictions.  But I have a feeling that the clock has struck midnight for the Brewers and the Nats will finally come up with a victory in a big post-season game, even if it is just a Wild Card game.  How they will fare as underdog against the defending league champion LA Dodgers is another question to be dealt with later this month.

 
As to the American League Wild Card game on Wednesday October 2, the Tampa Bay Rays will visit the antiquated and sanitarily challenged Oakland Coliseum to take on the A's.  Both teams are resourceful and talented with limited payrolls. They rarely play before big crowds.

 

I sure hope Oakland has reason to open their upper deck for what could be an exciting game.  The A's have a youthful group of largely farm-grown players, many of them from California including three star infielders, Matt Chapman and Matt Olson at the corners and emerging Marcus Simien at shortstop.

 

Whether with the Rays or A's can deal with the Astros and their home field advantage in the best-of-five Division Series is doubtful. Though the A's played the Astros very tough in regular season. 

 

The Yankees will be favored in their ALDS against their perennial patsy the Minnesota Twins. The matchup between the Atlanta Braves and Cardinals looks like a tossup with Braves having home field advantage.  No one really knows. Sl as the late great broadcaster Red Barber used to say, "That's why they play the games." To find out who is best.

 
It's tough for me to deal with the absence of daily regular season baseball now until late March 2020. But I am fortunate to live in NYC.  Vernon Duke asked in his great song, "Autumn In New York/ Why is it so inviting? Autumn in New York, it brings the thrill of first nighting."

 
Well, I didn't attend the first performance of the new production of "Porgy and Bess" at the Met Opera, but I do go on the last night of September.  It was a thrilling evening of opera with kudos deserved for everyone.

 

From the new production by James Robinson with its revolving stage that recreates the fictional fishing community Catfish Row; to choreographer Camille A. Brown in her Met debut; to the powerful all-black "Porgy and Bess" chorus; to the fabulous orchestra conducted by David Robertson (not the oft-injured relief pitcher); to all the singers led by Eric Owens and Angel Blue in the title roles. With special mention of Leah Hawkins' brief turn as the Strawberry Woman.

 
I had not realized until this production how organically the famous songs in the opera are connected to the story and plot development.  Beginning with Clara's opening rendition of "Summertime" to Serena's mournful "My Man Gone Now" to Porgy's "I Got Plenty of Nuttin'" to Sportin' Life's "It Ain't Necessarily So" to the repetitions of "Bess You Is My Woman Now" to the achingly beautiful trio of Porgy, Serena, and Maria near the end of the opera that rivals anything that Verdi or Mozart ever wrote in that form. 

 

I couldn't help thinking how much more Gershwin could have contributed to opera if he hadn't been taken from us at the age of 38.  "Porgy and Bess" runs a few more times through Oct 13.  Check out metopera.org

 
At a time when there are more and more disturbing discoveries of blackface and brown face incidents in both the US and Canada, "Porgy and Bess" deserves our attention because it was a genuine effort by George Gershwin and the librettists DuBose and Dorothy Heyward to delve into the lives of this unique Gullah black community outside of Charleston, South Carolina.    

 
One final music note:  In mid-September I was blessed to hear Kelli O'Hara sing Samuel Barber's beautifully succinct 16-minute tone poem, "Knoxville: Summer of 1915" with the New York Philharmonic under Jaap Van Zweden.  

 

The lyrical piece, based on the prologue to James Agee's "A Death in the Family," is ideal for O'Hara's lilting and compelling mezzo-soprano. She is branching out successfully from her heralded work in musical theatre.  I heard her as Despina in Mozart's "Cosi Fan Tutte" last season and she owned that saucy crucial role of the maid who is a co-conspirator in the plot to prove that men are not loyal to their women and women are not loyal to their men.

 
That's all for now about my ardent loves of baseball and music. Until later this month as the playoffs take shape, always remember:  Take it easy but take it! 

 

 

 

  

 

 

 

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